Last week I spent several days enjoying the art and natural beauty of British Columbia, traveling to the
Art Gallery of Greater Victoria to see an impressive collection of
Emily Carr paintings. I also knew the museum had a huge group of color woodblock prints by Walter J. Phillips, and I arranged to meet their chief curator, Michelle Jacques, to see some of the prints firsthand. She and her staff brought out several boxes of his prints to show me; I am so grateful for the time they spent helping me. Many of the prints can be seen online, but there are certain features in woodblock prints that really can't be appreciated except in person.
Siwash House Posts, seen left, is a good example. Phillips carved this one with the woodgrain on the block positioned vertically, so that the posts would look exactly like wood, without him having to carve additional blocks to create the look of the grain.(Unfortunately you can't really see that in this digital image). Phillips and Carr were both very interested in the native cultures of British Columbia and it was very instructive to see their work on this subject together at the museum.
Woodblock print by Walter J. Phillips, collection of Greater Victoria Art Gallery
I especially admired the prints where the Japanese woodblock print tradition was most evident: to the right is
Deer on Hillside. I love the amount of negative space in this print.
In the coming days I will write more about the wonderful art I saw in Vancouver.